Baahubali: The Beginning Visual Effects Breakdowns

Baahubali: The Beginning Visual Effects Breakdowns

Baahubali: The Beginning is a 2015 South Indian epic action film directed by S. S. Rajamouli. The film was produced by Shobu Yarlagadda and Prasad Devineni and was shot in both Telugu and Tamil. This film was also dubbed into Malayalam and Hindi. The film stars Prabhas, Rana Daggubati, Anushka Shetty, and Tamannaah in the lead roles, with Ramya Krishna, Sathyaraj, and Nassar in supporting roles. The first of two cinematic parts, the film follows Shivudu, an adventurous young man who helps his love Avanthika, a rebellious warrior intending to rescue Devasena, the former queen of Mahishmati, who is now a prisoner under the tyrannical rule of king Bhallaladeva. In the process, he learns of his true identity as the heir to the throne of Mahishmati, the son of Amarendra Baahubali, whose tale is narrated to him by Kattappa, a loyal warrior. He is later revealed to be killed by Kattappa himself who is narrating the story. The reason behind this is explained in the follow-up Baahubali 2: The Conclusion.

Here is the VFX Breakdown of ‘Baahubali: The Beginning’ by Makuta VFX.


A look behind the scenes of Tau Film’s work on the bull fight sequence in “Baahubali: The Beginning.”

Images created by Makuta Vfx, Firefly Creative Studios, Efx, Chiru vfx and Viswanath.

Baahubali is a two part Indian movie that is simultaneously being shot in Telugu and Tamil. The film will also be dubbed in Hindi, Malayalam and in several other foreign languages.

Baahubali Making – Visualising the world of Baahubali

Making of Baahubali – A Glimpse Into Our One Year Journey

Director: S.S. Rajamouli
Release Date: 10 July 2015 (India)

Production VFX Supervisor: Srinivas Mohan

The VFX are made by:
Prasad EFX
Tau Films

For more information, please visit at Baahubali: The Beginning

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Written by VFX Online

VFX Online, now writing with a focus on Visual Effects and Animation and Gaming, writing at VFX Online Blog since 2016. VFX Online in India.


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